World’s Best Opera Festivals

World’s Best Opera Festivals

Best Finds in Opera Festivals
Come learn about where you can go to see the top opera festivals in the world.

Glyndebourne Festival -Glyndebourne, England

May 18-Aug. 31
Those who sing at Britain’s premier summer music event are the opera world’s best, and those who manage to get tickets rightly wear their attendance as a badge of sophistication. Highlights of the 2008 edition include a new commission, “Love and Other Demons” (adapted from the novella by Gabriel Garcia Marquez), Richard Strauss’ “Hansel und Gretel” and Monteverdi’s last work, “L’incoronazione di Poppea.” Advance booking is essential.
Where to stay: Newick Park Hotel & Country Estate is a bit of a drive but a beautiful property.

Bregenzer Festspiele -Bregenz, Austria

July 23-Aug. 23
While the audience at this open-air festival is on dry land, the stage actually floats in Lake Constance, moored to an artificial island. Avant-garde scenery adds to the otherworldly appeal. In fact, the set is so elaborate that each production has a two-year run. The festival opens July 23 with Puccini’s “Tosca.” Popularity with cultural tour groups means tickets sell out fast.
Where to stay: Gourmet-Hotel Deuring Schlossle. Heino and Bernadette Huber run this castle hotel with views of Lake Constance; Bernadette is sommelier at the hotel’s restaurant.

Santa Fe Opera -Santa Fe, N.M.

June 27-Aug. 23
Since its debut in 1957, the Santa Fe Opera has become one of the world’s foremost summer opera festivals, attracting the biggest names in opera such as French star soprano Natalie Dessay, who in 2006 sang the role of Pamina in Mozart’s “The Magic Flute” here for the first time anywhere. Says Wayne Tigges, a bass-baritone who has performed there, “the opera house has an impressive roof on it, with an otherwise outside venue. The stage is very open, and allows an audience to see the hillside and beautiful scenery of Santa Fe behind it.” Savvy travelers are booking their tickets now.
Where to stay: The Inn and Spa at Loretto, for that luxury pueblo look.

Lucerne Festival -Lucerne, Switzerland

March 8-16 and Aug. 13-Sept. 21
The Lucerne Festival in Summer offers numerous performances, united this year by the theme of “Dance Music.” From its own Lucerne Festival Orchestra conducted by Claudio Abbado, to the American orchestras of Chicago, Cleveland and New York, to a stellar cast of soloists and conductors, the festival is one of Europe’s top musical events. Says American soprano Renée Fleming, “The calmness of the lake and mountains enhances the musical experience in the best possible way.”
Where to stay: The Hotel. This Jean Nouvel-designed hotel features old movie stills blown up and mounted on the ceilings of the 25 rooms.

Chorégies d’Orange -Orange, France

July 12-Aug. 5, 2008
Started in 1860, this is France’s oldest festival. Regular appearances by international opera stars like Roberto Alagna and Angela Georgiou almost play second fiddle to the jaw-dropping setting: a perfectly preserved Roman theater that seats 9,000. When floodlit at night, it’s a sight to behold. Tickets are already on sale for next summer’s performances of Verdi’s “Requiem,” Gounod’s “Faust” and Faure’s “Requiem”-and they go fast.
Where to stay: The Chateau de Montcaud has bright, cheerful rooms and a gourmet restaurant.

Savonlinna Opera Festival -Savonlinna, Finland

July 4-Aug. 2, 2008
With Olavinlinna Castle (constructed in 1475) as a backdrop, the drama in Finland starts even before the orchestra does. This year’s operas include Verdi’s Rigoletto and Aida as well as two premieres (“Mefistofele” and “The Seven Dog Brothers”), but one performance that’s sure to sell out fast is a July 13 concert by tenor Roberto Alagna.
Where to stay: Hotel Pietari Kylliainen

Festival d’Aix-en-Provence -France

June 27-July 23
One of France’s most beautiful southern cities is also home to one of its most prestigious music festivals. It started in 1948 and over the years boldfaced names in the music world have been associated with it, including conductor Simon Rattle and conductor and composer Pierre Boulez. Next summer’s six opera line-up includes Mozart’s “Zaide” and “Cosi fan tutte”; there will also be a July 22 recital by Finnish diva Karita Mattila. Tickets for all performances go on sale online January 23.
Where to stay: The trendy restaurant Bastide du Cours on the busy Cours Mirabeau also has a number of upscale guestrooms.

Tanglewood -Lenox, Mass., U.S.

June 26-Aug. 24
Tanglewood, with its famous Music Shed and vast lawn, has been the summer home of the Boston Symphony Orchestra since 1937 and concerts there are the peak of high culture in the Berkshires. The 2008 season opens with Hector Berlioz’ epic opera “Les Troyens;” James Levine conducts. There are also All-Beethoven and All-Mozart weekends, a concert performance of Tchaikovsky’s “Eugene Onegin” and more.
Where to stay: Wheatleigh, for that Irish country estate feel.

Salzburg Festival -Austria

July 26-Aug. 31
The Salzburg Festival is a heavyweight festival contender for hardcore opera fans. One of the performance venues is the Felsenreitschule, or Former Riding School, which many Americans will recognize as the place where the von Trapp Family sings in the final scene of “The Sound of Music” (a film which the Salzburg tourist board officially calls “very tacky”). New productions include “Don Giovanni,” “Otello” and “The Magic Flute.”
Where to stay: Julie Andrews gamboled in meadows close to The Schloss Fuschl Resort.

Wexford Festival Opera -Wexford, Ireland

Oct. 16-Nov. 2, 2008
Little Wexford is home to one of the world’s most vibrant opera fests, specializing in “hidden treasure” works by lesser-known composers who were nevertheless big names in their day. In 2008, the 57th season, there will be performances of the 19th century operas “Tutti in Maschera (Everyone in Disguise)” by Carlo Pedrotti and “The Snow Maiden,” a Russian work. A new opera house will be inaugurated as well.
Where to stay: The Talbot Wexford is a charming hotel.

Arena di Verona Festival -Verona, Italy

June 20-Aug. 31
This venerable festival’s 86th season will feature six operas for a total of 50 performances taking place in the ancient Roman Arena di Verona amphitheater. Works include a new production of “Aida,” followed by “Tosca,” “Nabucco,” “Carmen” and “Rigoletto.” Verona concludes, appropriately enough, with a new production of Gounod’s “Romeo et Juliette.”
Where to stay: The luxury Hotel Villa del Quar is four miles from the center of Verona.

Me and My Musicals: Maybe I Should Have Taken Those Singing Lessons

Me and My Musicals: Maybe I Should Have Taken Those Singing Lessons

ME AND MY MUSICALS

10. That’s how old I was when I saw my very first live play on stage and perhaps more importantly, my very first ever musical ? Miss Saigon, to be exact. At that age I loved every single second of it from the songs to the dancing to the sheer magnificence of watching those talented people perform in front of you live! But the songs, interspersed with the plot, was my very favorite part of the entire experience. As a Disney movie lover seeing real life people break into song like it was part of everyday was a delicious experience!

So Maybe My Playlist Isn’t Like Yours

But I like it anyway

From Sarah Brightman in the Phantom of the Opera to the award-winning Stephen Sondheim I scour record stores, secondhand video shops for any obscure CD, DVD of anything related to Musicals. At the advent of the internet, online shopping and, dare I say it, Youtube, I’ve had more opportunity to enjoy the wonderful world of musicals.
While my peers in high school and college filled their mp3 players with mainstream and pop songs I flooded mine with an eclectic collection of Sarah Brightman’s maddeningly gorgeous voice, Rodgers and Hammerstein’s catchy tunes, Sondheims masterpieces and everything else in between. You should have seen the looks I got on the tram when I would accidentally sing a part out loud – didn’t happen too often but I didn’t really care overmuch.

Those Singing Lessons

Maybe I really should have taken them after all
The Gloried Microphone by Tom8115 @flickr When my mother went to New York about 2 years back I was still in college so she made the painful decision of not bringing me along. When, in tears, I asked her why she hadn’t brought me along she answered simply that I would sing at her to death until we went to Broadway. She was probably right. But it still hurt.

I am one of those shower divas, meaning I can only sing in the shower and never anywhere else. When I was a child and one of my brothers had given me the ‘Cats’ soundtrack on cassette tape I was too in love with it to be embarrassed about singing in front of other people. When my mother suggested that I get a singing lesson I was too embarrassed to have some ‘expert’ tell me how to sing it. Again, she was probably right. Who knows, maybe I could have been in my own musical. (Or not.)

It’s All Heart

And a great deal of dancing
My limited exposure to musicals means that I don’t know much about it. Even with the internet I can’t see anything live although I try to get as much shows as I can locally. I never profess to be an expert, in fact I’m probably the exact opposite to that. But, for me, musicals whether I watch them or just listen to them, are an integral to me as a person. When I want to cry or when I simply feel lazy a simple listening or watching session is enough to energize my life. And, in the end, that’s the most important thing.

Theatre Breaks For Families In The UK

Theatre Breaks For Families In The UK

Theatre Breaks For Families

Are you looking to take your family to the theatre and stay overnight? Have you thought about a theatre break family package? You can save money by booking both the show and the hotel together as a package.

Here you will find a collection theatre breaks for families – some of the best London west end family shows and family friendly hotels together, at the best prices.

Take full advantage of getting to see one of London’s West End Shows for families, and afterwards stay over in one of the best family friendly hotels. For me one of the benefits of doing it this way is that we get to have a nice family outing together, without the long, tiring journey back home after, where the kids are screaming and everyone is exhausted and grumpy. Instead, after the show has finished you can head back to the hotel, relax and enjoy the facilities for the rest of the evening, and head home the next day when everyone is well slept and refreshed.

Sometimes it can be hard to find a family friendly UK break. Theatre breaks are perfect for families with children of all ages (yes even grown up ones!). The excitement of getting to see a show together and spend some family time, without all the rushing!

Here you will find a selection of the best West End shows for families, and the best London hotels for families reviewed and rated, and you can combine the show you would like to see with the hotel that is most suitable for your family, to create your perfect family theatre break.

Family Theatre Tickets UK

Enjoy a Family Trip To London!
At the top half of the page you will find a selection of the best west end shows for families. And the second half of the page lists and reviews several family friendly hotels that you can stay at. If you click through using the links given you will be able to combine the show you would like to see with the hotel you would like to stay in for your ideal family theatre break.

PRICES START FROM AS LOW AS £140 FOR A FAMILY OF 4. THIS INCLUDES YOUR ACCOMMODATION AND SHOW TICKETS!

Prices are correct as of February 2013 and are an estimate only. They will vary depending on the deal you chose and are subject to change.

The Lion King

West End Show For Families
The Lion King is a visually stunning production which brings to life this captivating family tale using costumes and colourful performance. If you loved the film you will love the show. Simba’s journey, portrayed through dazzling dances and displays of colour, make you feel as though you are in Africa!

PLEASE NOTE THAT THIS SHOW IS AIMED AT CHILDREN AND ADULTS ABOVE 7 YEARS OLD. CHILDREN ABOVE 3 YEARS ARE PERMITTED IF THEY CAN SIT IN THEIR SEATS AND ARE ACCOMPANIED BY ADULTS AT ALL TIMES. STROBE LIGHTING IS USED DURING THE SHOW

Matilda the Musical

Based on Roald Dahl’s classic novel, this show is loved by children and adults alike. The songs are composed by Tim Minchin and along with Director Dennis Kelly, brings fun and hilarity to the story.

If you don’t already know the story Matilda is an extremely intelligent young girl who possesses psychokinetic powers. She is neglected by her family and finds solace in a female teacher who is impressed by her wit, and an unlikely and touching bond if formed.

THIS SHOW ONLY ADMITS CHILDREN AGED 6+

Billy Elliot

Billy Elliot the film was a HUGE hit, and the show has the added benefit of music from Sir Elton John! This is a spectacular show better suited to older children and teenagers, as well as adults. With lots of singing and dancing, this high energy performance will leave you all buzzing with plenty to talk about over dinner.

The story is about a boy from a small mining town where life is tough and the men are tougher. He is being brought up by his single Dad and life if not easy. When Billy takes an interest in ballet his father is not best pleased but Billy is enthralled by the dance and starts a quest to become a successful male ballet dancer. It’s an emotional tale full of ups and downs and ultimately a feel good show.

THIS SHOW DOES CONTAIN SOME BAD LANGUAGE AND IS RECOMMENDED FOR CHILDREN ABOVE 12 YEARS, ALTHOUGH CHILDREN OVER 7 WILL BE LET IN. UNDER 16’S MUST BE ACCOMPANIED BY AN ADULT.

To book your family theatre break to see Billy Elliot click here: Theatre Breaks with Superbreak

War Horse

Set at the beginning of world war 1, this is the gripping tale of a young boy’s love for his horse. When Albert’s horse Joey is sold as a war horse to serve his country, the young boy sets out on a risky and dangerous journey to find the horse again. It’s based on a novel by Micheal Morpurgo and has been called a work of genius.

THIS SHOW IS SUITABLE FOR CHILDREN AND ADULTS OVER 10 YEARS OLD

To book to see War Horse click here: Theatre Breaks with Superbreak

Shrek

This is a new production based on the film Shrek, with all the familiar characters including Donkey and Fiona. This musical is full of comedy value and a real treat for the ears.

PLEASE NOTE THAT SHREK THE MUSICAL ONLY ADMITS CHILDREN AGED 5+

Charlie and the Chocolate Factory

Charlie and the Chocolate Factory is a magical tale with lots of imagination about a young boy living in poverty with his family whose luck changes the day he finds a golden ticket inside a bar of chocolate. This story is so well known and well loved that is has been made into a film several times over, most recently starring Johnny Depp as the eccentric and interesting character of Willy Wonka.

The story was written by Roald Dahl and is brought to the theatre by Sam Mendes.

THIS SHOW WILL PREMIER IN JUNE 2013 AND IS EXPECTED TO BE A HIT. BOOK NOW TO AVOID DISAPPOINTMENT.

Stomp

Stomp is a unique and amazing show, not least because the music is created using everyday objects such as dustbin lids and brooms and the choreography is based around that. It’s ingenious and fascinating to watch as the performers build the music and routines up to a crescendo.

This is an award winning family show that will stay in your memory for a long time to come.

IMPORTANT INFORMATION

The hotels listed below are a sample of what is available with one of these packages, along with reviews. They are up to date as of February 2013, however this is intended for information only and no guarantees can be made that the hotels will be available at the time of your trip.

Travelodge London Docklands

This hotel is a good choice for the budget conscious, although the facilities are still very comfortable and clean. It’s a 3 star, family friendly hotel located in the London Docklands, with easy access from the A13, and is about 2.5 miles from the west end. If you stay here as part of your package you will save yourself some money, so perhaps you can treat yourself to an extra special family dinner.

There is a cafe restaurant at the site as well as on site parking (although there is a small charge for the parking).

London Novotel Excel

This hotel is ideally located really close to the centre of London with stunning views over the Thames and a fabulous restaurant facility. This is a very clean and luxurious hotel and provides a tranquil retreat amongst the hustle and bustle of central London.

There are also gym facilities on site.

Novotel London Greenwich

This is a luxury 4 star family friendly hotel located in Greenwich, which is an area of London that is steeped in history. The hotel is located by the train and DLR lines providing very easy access to central London. There is wi-fi, a gym and two restaurants.

This is a truly lovely hotel with excellent reviews.

The Savoy

If you like a little more luxury this option is for you. Perhaps it’s a special occasion and you want to treat your family to a special family London trip?

This iconic hotel has hand a recent refurbishment and is now proud to offer its customers the best of luxury. It’s a very traditionally British hotel with an Edwardian theme.

Shakespeare’s Macbeth – A Scene By Scene Synopsis (Act 5)

Shakespeare’s Macbeth – A Scene By Scene Synopsis (Act 5)

Macbeth Synopsis – Act 5 Scene 1

In troubled Scotland, at Dunsinane Castle, Lady Macbeth is on the brink of destruction. She has been left alone, Macbeth being out in the field preparing his army. Her lady-in-waiting is anxious. Lady Macbeth has been walking and, worse, talking in her sleep. The loyal gentlewoman calls in the doctor to diagnose her illness, but she refuses to tell him what Lady Macbeth revealed. The doctor learns soon enough. Lady Macbeth passes them in a blind trance, rubbing her hands frantically as if to wash them. In her anguished dream there, is a spot that will not come out, no matter how hard she scrubs. She speaks brokenly, veering from one memory to another. The chain of bloody events is mixed up, she tries to was her hands of Duncan’s blood, and then scolds Macbeth for hesitating to kill him, she asks where Lady Macduff is, warns Macbeth to control himself at the haunted banquet, tells him to wash his hands and put on his nightgown, and begs him to forget his fears of Banquo’s ghost. At last she hears knocking – the knocking at the porter’s gate before the dead king is discovered – ad she takes the imaginary hand of Macbeth, to lead him to bed, to sleep and oblivion. The doctor, having learned the cause of Lady Macbeth’s secret agony, is horrified, and not a little afraid. It is dangerous to have such knowledge. He cannot treat her: she needs a doctor of the soul, not of the body.

Macbeth Synopsis – Act 5 Scene 2

In the country outside the castle, armies are mobilizing for war. The thanes Angus and Lenox, together with other Scottish nobles, have switched sides, and are about to march with their soldiers to join their English allies near Birnam Wood. The entire country is rising against Macbeth. The king has withdrawn to Dunsinane Castle, which he is fortifying against siege

Macbeth Synopsis – Act 5 Scene 3

Inside the castle, Macbeth forbids any more reports of the armies massing against him. He still believes in his charmed life. A servant, pale with fear, braves Macbeth’s anger to tell him of the ten thousand strong English force. The news makes Macbeth uneasy. As he turns the threat over in his mind, he becomes more of the poetic, reflective man of old, rather than the brutal, emotionless tyrant of late. Sad, he muses that he has lived long enough. He would have to endure the winter of old age without the things that would make it less harsh: honour, love, obedience and friends. He has sacrificed all that, Macbeth pulls himself together, and calls his loyal armour bearer, Seyton. He seeks relief in action, giving orders, donning his armour. He is ready to be the warrior again. He spares a moment to ask the doctor about his wife. Told that her sickness lies only in her soul, Macbeth asks the doctor if he cannot cure her of her sorrows. The doctor replies that the patient must minister to ‘himself’ Macbeth turns to more pressing problems. He strides off, defiant, sure that he will be safe till Birnam Wood comes to Dunsinane.

Macbeth Synopsis – Act 5 Scene 4

Meanwhile, at Birnam Wood, the English and Scottish armies have met. Malcolm orders the soldiers to camouflage themselves with boughs cut from the trees. The commanders, Malcolm, Macduff and Siward prepare for the advance on Dunsinane Castle.

Macbeth Synopsis – Act 5 Scene 5

Back at Dunsinane, Macbeth believes that his position is impregnable: the castle is strong enough to withstand a siege. Suddenly, women are heard crying in the heart of the castle. While Seyton investigates, Macbeth reflects on how he has lost the capacity to feel fear. But these cries are not of fear, they are of grief.

Seyton returns. Lady Macbeth has killed herself. Her death highlights Macbeth’s growing feeling that the world is meaningless: lif is just a guttering candle, a fleeting shadow, an empty tale. A messenger brings a shattering report – gazing toward Birnam, he thought he saw the wood begin to move, It is now less than three miles away. Disbelief, anger and then doubt wage war within Macbeth. He begins to suspect that he has been tricked by the double speaking oracle. If he has been, he may as well die like a warrior in open fight as hole himself up in the castle: he believes that the outcome will be the same. Reclessly brave, he summons the remnants of his army, before surging onto the plain.

Macbeth Synopsis – Act 5 Scene 6

Below the battlements, Malcolm’s moving forest throws away its disguise. He directs old Siward and his son to lead the first wave of attack: Malcom and Macduff will do whatever else is needed.

Macbeth Synopsis – Act 5 Scene 7

The plain resounds with the cries and clashing of battle. Macbeth, hemmed in by the sheer weight of numbers cannot fly. But his desperation lightens as he remembers that he need only fear a man not born of woman – he forgets that one prophecy has already played him false. Young Siward confronts Macbeth, the seasoned warrior, and Macbeth kills him.

Siward was born of woman: Macbeth can still laugh at weapons branded by normal men. He makes his way to another part of the battle. Macduff enters, seeking Macbeth. He is bent on vengeance, and continues his pursuit. Old siward tells Malcolm, who doesn’t seem to be fighting, that the castle has surrendered and the battle is almost over.

Macbeth Synopsis – Act 5 Scene 8

Macbeth, his castle lost and his men either deserting or surrendering, resolves to fight to the finish.
Macduff comes upon Macbeth and challenges him. Macbeth is reluctant. He tells Macduff that he has killed enough of his family already. Macduff has no time for Macbeth’s belated pangs of conscience, and forces Macbeth to defend himself. Macbeth urges his enemy to give it up, since he can be harmed by no man of woman born.
Now the last terrible blow – Macduff was not born in natural labour, but by caesarean birth. The revelation is Macduff’s strongest weapon. It immediately cuts through Macbeth’s guard. Macbeth, his last hope stripped from him and the whole world hostile, refuses to fight, to surrender the trap that seems to have been laid for him. But Macduff gives him no choice, reminding him that surrender will only lead to humiliation. Macbeth’s confidence has gone, but his courage has not. Though Birnam has come to Dunsinane, and there exists a man strangely born, Macbeth will challenge fate and fight on.
In his last desperate struggle, he fights not only Macduff but the whole uncertain universe. Macbeth dies defiantly.

Macbeth Synopsis – Act 5 Scene 9

Malcolm and old Siward consider the day’s victory. They’re still missing Macduff and youn Siward. Ross describes Siward’s heroic death to his father, who is relieved to hear that the untried youth died well: courage is the measure of the man.
Macduff joins them, bearing Macbeths head on a pole. Macduff pronounces tyranny dead, and the time free,
Malcolm is hailed as king. In the shadow of Macbeth’s severed head, Duncan’s son promises a just and peaceful reign.

More Macbeth Essays and Articles

Lady Macbeth – A Fiend Or A Caring Wife?
Is Lady Macbeth really an evil fiend-like queen? Selfish, bullying and cruel? Or is Lady Macbeth simply ambitious for a husband whom she loves, …

Was Macbeth A Villain Or A Victim?
If you have seen Macbeth performed on stage several times you will realise that no two Macbeths are ever played in quite the same way….

Macbeth Themes – Ambition and Power
The theme of ambition in Macbeth is linked to that of good and evil. Like many other passions and impulses, ambition can be both foul and fair…..

Macbeth Themes – Relationships
I first came across the story of Macbeth at school when reading Shakespeare, and his play Macbeth in particular, was a chore that had to be faced!…

Macbeth Themes – Good and Evil
The theme of good versus evil is at the heart of Macbeth. The witches set the tone at the very beginning: fair is foul and foul is fair. Good and evil exist …

My Favourite Shakespeare Play, Macbeth
I first came across the story of Macbeth at school when reading Shakespeare, and his play Macbeth in particular, was a chore that had to be faced!…

Playwright Zoo

Playwright Zoo

Zoo playwriting?

A resource linking you to some of the coolest new trends as well as classics particular to playwrights and their craft. — And check out the Playwright Zoo Archive for past musings and featured artists.

Polar Bears

The coolest.
Michael R. McGuire is one of the playwrights whose opinion I trust. He’s a theater artist working within his community as a major contributor to the local arts scene in New London, Connecticut. He is a self-taught self-starter who also helps other theater-artists see their work produced. I’ve know Mike for a few decades, and we’ve worked together to co-produce new-play festivals and full-up productions. He founded a playwrights group that meets regularly throughout the year where members bring new work to have it read and discussed (then we all go out for food and beer). He’s the kind of guy you want to have around when you’re trying to get a new piece on its feet. Everybody should have a friend like Mike.

Michael R. McGuire has written plays for the past 16 years. His play SOMETIMES I FEEL LIKE I MISSED THE TRAIN was part of The Lark’s 2004 Playwrights Week and showcased by The Planning Stage at The Golden Street Gallery in 2006. He was awarded a CT Artist Fellowship in 2005 for his play THE NEW GIRL with which he produced a showcase at the Avery Point Playhouse. His plays PERSEPHONE RULES! and THE MISJUDGMENT OF OENONE are published by Brooklyn Publishers.

McGuire founded the playwrights reading group Writers’ Roundtable in 2000.

The interview:

Michael R. McGuire – why the “R”?

There is another playwright in America named Michael McGuire. We were getting one another’s rejection letters returned. The other McGuire has been around longer so I added my middle initial. Plus, it sounds cooler.

You’re a playwright based in Southeastern Connecticut. What are some of the challenges to you as a playwright not being in a big city?

The biggest challenge is the lack of opportunity to network with theater professionals. Literary managers have no face to put with my name. Of course this might also be an advantage…

What are the benefits?

I enjoy being an outsider. Because so many playwrights live in NY, they tend to have a New York sensibility. My New London, CT sensibility is a bit different and informs my writing.

Living in a small arts community like New London County, how essential to you and your work has been the acquisition of production skills?

I have produced, directed and also acted in many of my own productions. It is essential for a playwright to see the work in front of an audience. If opportunities do not present themselves, you must create them.

What makes you want to produce the works of others as well as your own?

I sometimes come across a script that I simply must see on stage. Your play TO DIE FOR WANT OF LOBSTER was one of these. (That it had a great role for me had nothing to do with it)

I do not consider myself an especially skilled director of the works of others and prefer to leave that to others when I can.

Being outside of the mainstream loops and circles that life in New York or another theater hub could offer, how do you get your work out there? Do you have a marketing plan? If so, how does it work?

I wouldn’t call it a plan so much as a dogged tenacity to submit my work to every theater I can find that might be appropriate. In addition to Dramatists Sourcebook, I also search online and scour the resumes of playwrights I admire for theaters they began in.

I keep a database of all my submissions and mail frequently. How does it work? I’m not so sure it does!

While the stereotype of the struggling playwright places him/her in a room, alone, flushing out genius across pages, waiting for discovery – how does it really work from your experience? Are you alone or do you depend on others?

I write in coffee shops. I need a bit of hubbub to write. Silence is deadly to me. I read a great deal and consider all writing as part of a larger conversation. Nothing is created in a vacuum. Our playwrights group Writers’ Roundtable has been a valuable resource for feedback and inspiration.

How did you find other artists in your small-town community to work on your plays?

Mine is a theater-heavy small-town due, in part, to our proximity to The O’Neill. New London has an artistically thriving if financially struggling community. I am also fortunate to have an actress girlfriend, Heidi Harger, who has inspired imagery for more than one of my plays.

What resources are do you use to expand your knowledge of writing? What’s available when you’re off the beaten path?
Given Amazon.com everything that is available elsewhere is available here. The works of Gary Garrison, Jeffery Sweet and Stuart Spenser have been valuable, especially early on. Reading the works of current playwrights has also been important. I have to travel a bit to see professional theater, but every playwright should watch live theater.

You recently participated in a 24-hour play experiment, which was the first of it’s kind in the New London area – what was that like? What was unexpected?

We were given an assignment in the evening and had to have a 10 page play written by morning. The plays were handed off to randomly selected actors and director who rehearsed and had the play before an audience that night. It was fun for me because I didn’t have to direct it myself, a rare treat.

Unexpectedly my director, unknown to me before the project, is interested in an on-going collaboration on future plays.

You’ve also participated in the now defunct Local Playwrights Festival at the O’Neill Theater Center, which was produced and performed by all Connecticut and Rhode Island based volunteers to present workshops of plays by local authors – how relevant was that earlier experience for you?

Having an early play (WHAT’S GONNA SET YOU FREE?) selected for that festival was the encouragement I needed at that time to let me know I might be in the right business. It also introduced me to other playwrights and the local theater community at large. It is impossible to overstate the importance of that event. You may blame them for all my subsequent scribbling.

Any plans for the short play that came out of that?

I’m not much of a short play writer in general, but I may send it out here and there.

What are some recommend reads for playwrights?

I mentioned some writers above, and of course read any play you can get your hands on, but also read magazines, novels, comic books, essays and everything else. Ideas are everywhere. I could live ten lifetimes and not run out of ideas.

What do you recommend a playwright order from the bar when being taken out after a showing of one of his/her plays?

If the show went well, have a Guiness or two. Remain sober enough to absorb the praise. If the show went poorly, start pounding whiskey. I accept no responsibility for anyone who follows this advice.

Anything else?

Learn the rules and then break them with style.

The Monkey House

Musings on the state of theater-arts

A Playwright & Web Forums: How to Use Them for the POWER OF GOOD
(your good & others)
from the mind of Kato McNickle

There are a lot of playwright specific forums, groups on Facebook or MySpace, and other web-based cyber-groups floating around. One thing I’ve noticed from participating in these forums and groups is that about 1 outta 50 playwrights actually knows how to interface, interact, and maximize the potential of these virtual porticoes. How savvy are you when it comes to participation thru posting? Are you that one or the other 50?

If that forum your a member of was a theater — what would you do with it? Would you really only tap on the mike once our twice, see if it was on, and only leave a brief calling card — or would you do more? Can you do something more memorable, more lasting, more significant with your stage-time?

I think sites such as these are like stage-time. How can you do more than leave a calling card? How can you use this forum to make a statement — to leave an impression? From impressions come connections. The connections are what we seeks as artists.

Visit the Playwright Zoo Archive.

Creative Creatures

Workshops for the writer @ Kripalu Center for Yoga & Health

Writing as a spiritual practice, a creative path, or as a way to re-vision your life story helps you access the thoughts behind your thoughts and experience a new intimacy with yourself. Writing helps us make friends with our inner critic, freeing us to create and express without inhibition.

Kripalu provides a welcoming environment in which to turn inward toward the words that are calling you-and offers you a variety of skilled teachers to guide you on the next step of your writing journey.

FastLinks to theaters

These theaters accept unsolicited plays

Actors Theatre of Louisville
Louisville, KY. National 10-minute play contest.

Act II Playhouse
Ambler, PA. Full length plays, musicals, and solo pieces.

African Continuum Theatre
Washington, DC. Multicultural work relevant to African-American community.

Alabama Shakespeare Festival
Montgomery, AL. Plays from Southern writers with Southern or African-American themes.

Amas Musical Theatre, Inc.
NYC. Multicultural casts and themes.

ART Station
Stone Mountain, GA. Full-length plays, musicals, solo pieces that describe Southern experience.

Asian American Theatre Company
San Francisco, CA. Innovative rendrings about the Asian American experience.

Bristol River Theatre
Bristol, PA Cutting-edge works, plays that experiment with form.

Celebration Theatre
West Hollywood, CA. Plays not previously produced that provide a prgressive gay and lesbian voice in contemporary theatre.

Centre Stage-South Carolina
Greenville, SC. Full-length, unproduced plays.

City Theatre
Miami, FL. One acts only that represent a diverse mix of subjects and themes.

Columbus Children’s Theatre
Columbus, OH. Social issue one-acts acceptable for audiences in grades K-5.

Dad’s Garage
Atlanta, GA. Full-length nontraditional plays, comedies.

Detroit Repertory Theatre
Detroit, MI. Full-length issue oriented plays.

East West Players
Los Angeles, CA. Plays by or about the Asian American experience.

El Centro Su Teatro
Bilingual and/or Spanish language plays, plays dealing with the Chicano/Latino cultural asthetic or political experience.

Express Children’s Theatre
Houston, TX. Plays for young audiences.

5th Avenue Theatre
Seattle, WA. Adventure Musical Theatre: ongoing program that commissions original musicals performed for K-6 students.

Foothill Theatre
Nevada City, CA. Seeks full-length plays. New Voices of the Wild West: annual spring series of plays about the rural American West.

Growing Stage Theatre
Netcong, NJ. Accepts plays with a production history suitable for family audiences.

Hangar Theatre
Ithaca, NY. Accepts one-acts for for young audiences only.

Huntington Theatre
Boston, MA. Accepts plays from Boston area playwrights only; agent submission all others.

Jewish Theatre of the South
Atlanta, GA. Works on Jewish themes.

Jobsite Theater
Tampa, FL. Topical, politically and socially relevant theatre; plays appealing to 20- and 30- somethnings.

Kitchen Dog Theater Company
Dallas, TX. Plays from Texas and Southwest playwrights.

Kuma Kahua Theatre
Honolulu, HI. Plays set in Hawaii or dealing with Hawaiian experience.

Merry-Go-Round Playhouse
Auburn, NY. Plays for young audiences.

Mill Mountain Theatre
Roanoke, VA. Accepts unsolicited one-acts for CenterPieces reding series only.

Miracle Theatre Group
Portland, OR. Hispanic playwrights, plays that deal with the Hispanic experience.

Mu Performing Arts
Minneapolis, MN. Asian-American expeience, plays combining traditional Asian performance with Western theatre styles, short plays suitable for school tours.

New Georges
NYC. plays by women only, works with vigorous use of language and heightened perspectives on reality.

New Jersey Repertory Company
Long Branch, NJ. Work not produced professionally, social or humanistic themes.

A Noise Within
Glendale, CA. Translations or adaptations of classical material only.

Oldcastle Theatre Company
Bennington, VT. Accepts musicals and plays.

OpenStage Theatre & Company
Fort Collins, CO. Accepts full-length plays.

Oregon Children’s Theatre
Portland, OR. Plays and musicals for young and family audiences.

Playhouse on the Square
Memphis, TN. Full-length plays and musicals.

Playwrights Horizons
NYC. American writers only, works with strong sense of language that take theatrical risks.

Porchlight Music Theatre Chicago
Chicago, IL. Full-length and one-act musicals.

Sanctuary: Playwrights Theatre
Brooklyn, NY. Accepts playwrights with at least one professional production only; prefers plays with unusul structure, radical core ideas, epic form, work that’s off the map or otherwise seen as impractical.

Seattle Children’s Theatre
Seattle, WA. Accepts unsolicted plays for Drama Summer School season only: one-act plays suitable for young actors.

Seem-To-Be-Players
Lawrence, KS. Plays for young audiences.

Soho Repertory Theatre
NYC. Accepts unsolicited scripts for Writer/Director Lab only, deadline: May.

TADA! Youth Theater
NYC. Plays for young audiences.

Thalia Spanish Theatre
Sunnyside, NY. Plays with Hispanic themes.

Theater by he Blind
NYC. Works by and about being blind.

Theater for the New City
NYC. Experimental American works; plays with poetry, music, and dance; social issues.

Trustus Theatre
Columbia, SC. One-acts for late night series – 45-75 minutes in length. No topic or experimental structure is taboo.

Two Chairs Theater Company
Grand Junction, CO. Full-length, one-acts, 10-minute plays. Annual short play fest, deadline Jan. 31.

Unicorn Theatre
Kansas City. MO. Full-length contemporay social issues.

Victory Gardens Theater
Chicago, IL. Accepts plays from Chicago residents only. All others submit 10-page sample and letter of inquiry.

VS Theatre Company
Los Angeles, CA. Accepts unique and edgy full-length unproduced plays with submission form.

West Coast Ensemble
Los Angeles, CA. Plays not previously produced in Southern California.

Wings Theatre Company, Inc.
NYC. Gay themed musicals and plays only.

The York Theatre Company
NYC. Small cast musicals.

What Makes Jersey Boys So Specific? Must Watch Jersey Boys Musical

What Makes Jersey Boys So Specific? Must Watch Jersey Boys Musical

Jersey Boys Tickets For 2013 Show Season

Jersey Boys is one of the best musicals of the era. It started with a musical band and after getting a huge success in music industry Jersey Boys came into the musical theater world. In theaters Jersey Boys has achieved the marvelous fan following and likes. Now 2013 season is on for Jersey Boys and tickets are on sale. There is a high demand of Jersey Boys tickets and it seems that this musical is going to break all the records of highest grossing shows like Wicked and The Lion King So, don’t let this chance go away to watch the best musical of today’s world.

Jersey Boys

One of the Best Musicals

Start to count the ways as why you want to move with the Cheap Jersey Boys Tickets? Let’s have a move with your favorite collar boys this year as they are back with the same tune to entertain more audiences. But before entering this charming and attractive show you must know why it’s popular among the millions of audiences. First of all the symphonies played in the musical are touchy and loveable! The songs and tale absolutely fit with each other as the audiences get fully surprised. It’s not an ordinary musical, has been honored with Tony Award in 2006. Frankie Valli and the four seasons has blasted the stage with this soul capturing event. The astonishing thing is that the craze of people for this play is not decreasing in fact it’s continuously in increase and every time feels the viewers that they are watching this first time. No one knows what the attraction show has but in spite this all they insist to hold cheap Jersey Boys tickets.

The play is a source of courage for the teenagers! In fact a massive number of spectators come to see these collar boys. They travel from far distances to watch this highly esteemed play. Due to these attractions the play performs again and again and returning back to maintain this entertainment chain. Moreover this Broadway production is well arranged, running for last 8 years. They have production houses in all major countries Singapore, Las Vegas, Australia and London. One thing that snatches the attention of the audiences is the hit songs that have familiar themes like “Oh, What a Night,” “Sherry,” “Can’t Take My Eyes Off You,” “Big Girls Don’t Cry,” and many others. A few weeks ago the live theatre musical brought millions of dollars at the box office. A queue of couples just came to experience the magnet single “Girls’ Night Out,”, the track enriches the tale of the 4 blue collar guys who rose up from the streets of the Newark to the peak of the rock music glory also has a remarkable appeal for guys. The Jersey Boys Tickets are totally flat from the scratch ad one can’t get bored soon until he watches it again and again. If you take analysis of the small aspects of the show you will surely follow it ushers that compel audiences to do something.

Jersey Boys Tickets

Take the full advantage of this live musical. If you have recently turned to teenage then it’s a chance for you to taste this jukebox through the cheap Jersey Boys tickets. Start browsing now from your home just in few seconds you will easily grasp tickets according to your choice. Moreover if you have limited budget then it more easy for you because many sites are available on the internet are offering 10% discount. No matter you are working in an office or full time employee and unable to retrieve tickets. Because all tickets are delivered at home prior the event.

Some of The Biggest Musicals

Recall The French Revolution With Les Miserables The Musical
Les Miserables the musical show is going on many venues and places over the globe. Particularly in London, Pennsylvania and Michigan. These three places are the hottest venues and stations for the Les Miserables. Les Miserables is a show which provides a full dose of entertainment, thrill and the emotional touch of French Revolution memories. Fans are getting them selves reserved for the upcoming shows of this marvelous historical Musical theatre show. So, book your self too to enjoy Les Miserables.

Fifth Longest Running Show in Broadway History The Lion King
Disney’s landmark event The Lion King has attained the title of Fifth Longest-Running show in the history of Broadway on August 15 2012. At the Minskoff Theatre on August 15 this spectacular musical has completed its 6,138th performance surpassing the genuine Broadway production of “A Chorus Line”, which had previously held that position. Approximately this Tony-winning musical has run almost 91 years since its Broadway premier on November 13, 1997.

The Book Of Mormon Is Coming To Dallas For 2013/2014
The season of 2013 and 2014 of the Book of Mormon is gearing up and is coming to Dallas for its national tour to dazzle the theatergoers with true theatrical entertainment. People all around the world are looking forward for this show that is going to take place at the AT&T Performing Arts Center’s Winspear Opera House as part of the Lexus Broadway Series. The Book of Mormon is the musical of the century and people watching the show enjoys the heaven on Broadway. The Book of Mormon since its premier rave reviews from fans and critics as well. The musical began its run for the first time in March, 2011 and since then has been capturing the souls of the adult audience. There is a big hand of the stellar cast that always offer cherished show. The fully packed performances on the national tour will be worth watching.

Shakespeare’s Macbeth – A Scene By Scene Synopsis (Act 3)

Shakespeare’s Macbeth – A Scene By Scene Synopsis (Act 3)

Macbeth Synopsis – Act 3 Scene 1

At the palace in Forres, Banquo reflects on the newly crowned king’s rise to power. He suspects Macbeth of foul play but has not challenged him.
Banquo cannot forget the witch’s prophecy that he will father a line of kings. In some ways their fates are meshed.

Macbeth interrupts Banquo’s thoughts, commanding him to be at the evening banquet. Banquo is to be chief guest. Macbeth draws information from Banquo about his movements for the rest of the day, discovering that he plans to ride a fair distance with his son Fleance, returning at nightfall. Banquo sets off and Macbeth dismisses Lady Macbeth and the rest of the court.

Alone, the mask falls. Macbeth feels unsafe on the throne. He believes that the chief threat lies in Banquo. Macbeth doubts his loyalty, and fears that he may simply be biding his time before making a move. Moreover, Macbeth is anguished by the prophecy that it will be Banquo who founds a royal dynasty, and not himself, Macbeth is ready to challenge fate itself by killing Banquo and his son.

Two desperado’s, down on their luck, are persuaded by Macbeth that their ill-fortune is due to Banquo, and they agree to murder Banquo and Fleance that evening.

Macbeth Synopsis – Act 3 Scene 2

Lady Macbeth sends a servant to her husband, requesting a private audience. While she waits, she lapses into sorrow. She has found no joy as Queen. But when Macbeth joins her, she hides her despair. Instead she chides him for brooding alone, and coaxes him to forget the past. Macbeth reminds his wife that they are still in danger, and tells her to flatter Banquo, their chief enemy. Lady Macbeth is disturbed by Macbeth’s obsession with Banquo. Although he hints at the dark deed planned, Macbeth does not confide in her. This time Macbeth is able to act without her support.

Macbeth Synopsis – Act 3 Scene 3

The two assassins, together with a third sent by Macbeth, ambush Banquo and Fleance as they approach the palace at dusk. In the confusion Fleance escapes, but Banquo is brutally stabbed to death.

Macbeth Synopsis – Act 3 Scene 4

Inside the palace, the nobility of Scotland assembles in the banqueting hall for the great feast. Macbeth bids them to be seated according to their rank, and the royal hosts are lavish in their welcome. As Macbeth mingles with the guests, he catches sight of one of the assassins lingering on the fringe. Slipping away to join him, Macbeth is relieved to hear that Banquo is dead, but enraged at Fleance’s escape. However, that threat lies in the future, and Macbeth puts it aside. Macbeth enjoys a fleeting moment of security as he toasts the company, and remarks on the absence of the chief guest, Banquo. Ross urges him to join the table, but Macbeth doesn’t see a spare seat. Lenox motions him to an empty chair. Macbeth is aghast. Banquo has kept his promise to attend the feast: his ghost sits in Macbeth’s seat. Macbeth speaks wildly to the ghost.

The thanes are alarmed at the sight of their king addressing an empty chair. No one, except perhaps Lady Macbeth, has any inkling of Banquo’s fate. Lady Macbeth desperately tries to deflect attention from the king: it is just a passing fit, best ignored. Whispering urgently to Macbeth, she tries to shame him into self-control. But Macbeth is hysterical with fear, and Lady Macbeth’s efforts are futile.

When the ghost disappears, Macbeth recovers and sits. He again toasts the company, and the absent Banquo. On cue, the ghost re-appears. Macbeth is convulsed with terror and rage. He has lost all instinct for concealment. Lady Macbeth is on a knife-edge of terror in case he exposes them both as murderers. The queen tries to cling to some shreds of royal dignity, but Macbeth’s ravings cannot be ignored. She dismisses the bewildered guests, and the company breaks up in disorder.
Left alone, Lady Macbeth is too exhausted even to reproach her husband for putting them both in such peril. But Macbeth, with Banquo’s ghost gone, immediately turns to new problems – Macduff who has flouted the royal summons, and his own uncertainty about the future. He decides to visit the witches again, and force more information from them. Macbeth is determined to be utterly ruthless in cementing his power. Already he has thrown an intelligence network over the kingdom: in every noble household there is a spy in the kings pay. Macbeth resolves to stop at nothing to make his power absolute. He will wade even further in blood. Macbeth puts his earlier terror at Banquo’s haunting down to inexperience in dark deeds – he will be tougher in future.

Macbeth Synopsis – Act 3 Scene 5

Although Macbeth does not yet know it, his future dealings with the witches will involve a stronger power. The witches are subservient to the dark goddess Hecat, who now scolds them for daring to speak to Macbeth without her guidance. Macbeth, she tells them, acts for his own ends, and not for love of the witches or what they represent. From now on, she will take charge of the oracle-making. The witches are commanded to meet Hecat at the pit of Acheron – the gates of hell – the next morning. They will cast the spells. But it is Hecat who will determine what Macbeth sees: she will make him feel secure through the power of illusion.

Macbeth Synopsis – Act 3 Scene 6

Meanwhile, discontent is growing in Scotland. There is gossip about the deaths of Duncan and Banquo. But some are wary about declaring Macbeth a murderer. Lenox uses double-speak in conversation with another lord: on the face of it, he sounds loyal, but there is deep sarcasm underneath. The other lord is less cautious; he calls Macbeth a tyrant outright and reveals that Macduff has fled to the English court, there to help gather an army to restore Duncan’s line. Lenox, now more sure of the other lord’s sympathies, declares himself for the Scottish exiles in England.
Macbeth Synopsis – The Other Acts

More Macbeth Essays and Articles

Lady Macbeth – A Fiend Or A Caring Wife?
Is Lady Macbeth really an evil fiend-like queen? Selfish, bullying and cruel? Or is Lady Macbeth simply ambitious for a husband whom she loves, …

Was Macbeth A Villain Or A Victim?
If you have seen Macbeth performed on stage several times you will realise that no two Macbeths are ever played in quite the same way….

Macbeth Themes – Ambition and Power
The theme of ambition in Macbeth is linked to that of good and evil. Like many other passions and impulses, ambition can be both foul and fair…..

Macbeth Themes – Relationships
Firstly, there is the relationship between husband and wife, seen in the marriage of Macbeth and Lady Macbeth, and of Macduff and Lady Macduff……

Macbeth Themes – Good and Evil
The theme of good versus evil is at the heart of Macbeth. The witches set the tone at the very beginning: fair is foul and foul is fair. Good and evil exist …

My Favourite Shakespeare Play, Macbeth
I first came across the story of Macbeth at school when reading Shakespeare, and his play Macbeth in particular, was a chore that had to be faced!…

Stagedooring: A Broadway sport

Stagedooring: A Broadway sport

Before You Head Out to the Theater Tonight…

…make sure you’re armed with all the information in this lens! Stagedooring: A Broadway sport will tell you everything you need to know about stagedooring. Here, you’ll know exactly what you need to bring, what strategy to employ, and when to give up. Stagedooring can be a little difficult for those who have no experience in it, but over time and with a little practice and a LOT of determination, you’ll be rounding up all those celebrity photographs and autographs in no time. Read on and enjoy!

What is stagedooring anyway?

Simply put, it is an activity that takes place after a Broadway performance, entailing a mad rush towards the stage door, Playbill, Sharpie, and camera in hand, in hopes of getting your favorite performers to sign your Playbill, telling them you adored their show, and having your photograph taken with them.

Why should I stagedoor?

The question is, why shouldn’t you? Stagedooring is a fun and exciting experience that ultimately lets you get close to some of Broadway’s most brilliant and famous performers. It’s your chance to get a photograph with them and get their signature, too, and you can breathlessly tell your friends the next day that, “Oh my god, I shook hands with (name of performer) and he talked to me!” Stagedooring is one of the highlights of watching a Broadway play or musical, and you should take advantage of the opportunity to do so.

The tools you need in stagedooring

In order to have a successful stagedooring experience, you must have the correct tools at hand. These are:

  • Your Playbill, of course
  • A Sharpie or a pen. Performers usually come out with their own Sharpies, but it’s always best to be prepared.
  • A Ziploc bag to protect your Playbill after it’s been signed. Very helpful in the event of inclement weather.
  • A friend who will go with you and take pictures. It’s challenging to stagedoor on your own, so a wingman will be a great help. You can be each other’s wingman if your friend is a Broadway fanatic as well.

Before the show

If you get to the venue early enough, make it a point to scope out the scene and find out where the stage door is. That way, you know exactly where you should be heading after the performance and you won’t need to stumble around looking for it. At best, you can angle for the most amazing spot by the door (read: the very front!) and not just have to stand on your toes trying to see performers amid the sea of fans and lift your camera hoping to get a good shot of them.

Don’t get tongue-tied and starstruck!

It can be a trifle bit embarrassing if your Broadway idol is standing right in front of you and you simply have no idea what to say or don’t want to sound too adoring or stupid. There are a few standard things you can say, such as

1. “You were amazing!”
2. “Great job!”
3. “It was a great show!”

But rely on those as your fallback lines if you’re really stumped and could barely manage a coherent squeak. In your extremely brief chat at the stage door, remember to always be sincere. Mention that you loved the person’s performance in that show and that you also admired him or her in other productions. You can also tell him or her which part of the show you loved the best. After he or she has signed your Playbill and had photos taken with you, remember to thank the performer politely.

Photograph protocol

It can be oh-so-tempting to whip your camera out and click away furiously upon sighting the performers you’ve been aching to see, but get a grip on yourself! A few photographs of them as they exit the stage door is fine, but don’t get crazy with your camera when they’re standing right in front of you–no one likes a madly clicking camera in his or her face, let alone bright, blinding flash. When the performer has finally reached your spot in the queue, ask politely if you can take his or her picture, then when he or she agrees, take a couple of solo pictures, then one with you in the photo as well. Don’t hog the performer’s attention by asking for a dozen shots! That would not only take up a lot of his or her time, but this will also annoy your fellow fans who want their precious few seconds with the performer as well.

How do you deal with snooty performers?

Broadway performers are usually very gracious about signing autographs, chatting with fans, and posing for photographs, but there is a precious few who will nod curtly to the waiting fans or ignore them entirely and briskly walk away. What should you do in that situation?

Simple: Nothing. It’s no use chasing after them; the person guarding each stage door will make it a point to follow you and stop you from doing so. Forget about jeering at them and calling them names–that’s not likely to encourage them to turn back and pose for pictures with you.

Instead, just leave them alone. Many of them are exhausted after a grueling performance, and you’d be surprised that Broadway performers usually tend to be quiet, private people. Just be glad that you were able to watch them perform.

Now for the REALLY snooty and obnoxious ones, you can have your dark little revenge on them by writing about their behavior in your blog or on Broadway-related message boards. Like-minded fans will understand your outrage, and some may even share their own unpleasant experience with those particular performers.

Stage doors you probably should avoid

As much as possible, you should stagedoor as much as you like and accumulate as many photographs and autographs as you can, enough to make you insensible with joy. But sometimes, there are stage doors that are just a little too challenging, even for seasoned stagedooring practitioners. Based on my experience, Equus was particularly hellish. Many people had left the theater before the play even ended, which meant that there was already an almighty queue at the stage door, effectively destroying any chance of me making my way to the door and getting photos of Daniel Radcliffe and Richard Griffiths.

From that experience alone, I’ve determined that stagedooring is darn near impossible for shows featuring extremely well known personalities, specifically Hollywood celebrities. There will almost certainly be a mad rush in that case; getting a few blurry shots of Hugh Jackman on his The Boy from Oz stint is already considered fairly lucky.

In 2009, I got the chance to watch A Steady Rain featuring Hugh Jackman and Daniel Craig. Predictably, the throng of people waiting by the stage door was, simply put, insane, but by some twist of fortune, I managed to get myself at the very front of the line. I had hoped to take some amazing photos of the two, but the press of people just made a lot of my photos wobbly, though I did get a few great ones, like the one you see here. Ultimately, stagedooring is not just about getting incredible photos and their signatures, but also about showing your respect and admiration for the performers.

Top 5 Musicals

Top 5 Musicals

My Musicals

Musicals are one of my favorite things in life. I look forward to the production, the music, but mostly the story itself. For those who have not had the pleasure of the musical theatre experience, it is so much more than people just singing and dancing on a stage. Musicals really capture the essence of living, life and any emotional experience anyone could relate to; as long as you are able to open your heart and mind to the fantasy and wonderment of it all. The following are my personal favorite musicals. These are the musicals which have left a lasting impression on my life and touched me through the amazing stories being told and music lyrics. In some cases I feel the songs could have been written for my life. Perhaps, that is why I relate so much to these musicals because in a way they are pieces of my life both past and present. These musicals bring me comfort; they are like “home” to me. I hope you enjoy my favorites and maybe if you’ve never been to a musical or seen these shows, you may be intrigue enough to experience them for yourself.

Wicked

Wicked is the “Untold story of the witches of OZ”, which is loosely based on the book by the same name by Gregory Maguire. The two main characters are Elphaba (Later to be referred to as the Wicked Witch of the West) and Galinda, later Glinda (also known as the Good Witch of the North) and how they became who we all know of them through “The Wizard of Oz”. Elphaba was an outcast and misunderstood from the very beginning. She was never accepted due to being born “green” and no one taking the time to get to know the real person inside. She was judged for misperception due to people’s ignorance and fear. Galinda, on the other hand, lived a charmed life surrounded by many family and friends that adored and loved her. She always seemed to manage to get her way and things came easy for her in life. Beauty was a trait Galinda processed, she knew it and used it to her advantage any way she could, always. Eventually, Elphaba and Galinda attend school together and needless to say have nothing in common and “loathe” each other. As is true in life, people normally have more in common than not, and Elphaba and Galinda do find their common ground and work in “tandem”, becoming close friends.

Wicked is my favorite musical by far, and Elphaba is my favorite character. If there was any character I was most like and could see several life reflections through their own actions that would be Elphaba. I have spent most of my life being an outsider and misunderstood. I’ve never been the “popular “one, nor have my opinions or feelings come across as me coming from a place of “good”. In the past I’ve often been way too sensitive to others reactions towards either me, the way I look or even my compassion for the treatment of animals. Elphaba processes all these qualities throughout Wicked and although in the end, her friend can see her as the kind, humane and “good” person she truly is, people want to believe what they are told. After a few whispers in the ear and a reputation is a difficult thing to change in the eyes of others, once doubt creeps in.

The music within Wicked is brilliant and the lyrics are amazing. Two songs from the Musical stand out for me, especially in my life right now, they are “For Good” and “I’m Not That Girl”. “For Good” speaks of gratitude and forgiveness for a person who has changed your life and made you a better person. Through the ups and downs of a relationship you learn and grow. It has to be one of the most brilliantly written “Thank you” letters I’ve ever heard. “I’m Not That Girl” tells of letting go and the realization that you are not the “one” for the man that you love. Anyone’s that has felt this kind of pain knows that these words express it all. Wicked makes you think, brings to light social issues and also is a spectacular feast for the eyes, ears, and the heart. It’s “Wonderful!”

Rent

Rent is the story of seven friends in New York; some straight, some gay and some of which are surviving HIV/AIDS. There is several love stories intertwined within the friendships, which makes for some drama throughout the musical, and what is life without some drama? The two main love stories are between MiMi and Roger, the straight couple, who are both HIV positive due to drugs use. The other couple is Angel and Collins, also both positive and they are the gay couple. There’s also a love triangle between a straight man and his former girlfriend whom now is dating a lesbian.

The couple I relate to the most is MiMi and Roger. They are constantly on and off and have trouble communicating properly, although they do truly love each other. This is reminiscence of my last relationship. The couple I’d like to strive to be more like is Angel and Collins. Everyone actually admires the relationship Angel and Collins have, as they both entirely love and respect each other as they are, and they’re very supportive and giving. A line from “Goodbye Love” states “I’d be happy to die for a taste of what Angel had-Someone to live for-unafraid to say I love you%u2026”

Rent has some amazing and heart wrenching musical lyrics. Some of the stand out songs are, “I’ll Cover You”, “Will I”, “Without You” and “Seasons of Love”. My personal favorite would have to be “I’ll Cover You”, a song sung by Angel and Collins to each other to profess their love for one another. They recite to each other “I think they meant it when they said you can’t buy love. Now I know you can rent it. A new lease you are, my love, on life-be my life.” It’s absolutely beautiful. Rent teaches us all the art of compassion, tolerance and acceptance, reminding us that there is “no day but today”.

The Lion King

The Lion King is the musical based on the Disney film of the same name. I had absolutely loved “The Lion King” the movie, when I heard they were making it into a musical I was excited and a little apprehensive as well. Well, I had nothing to worry about because this musical is brilliantly spectacular. The way they bring everything to life is truly an amazing feat and I’m in awe every time I go to see the production.

I’m sure we are well aware of the story line for this musical due to the popularity of the movie. The reason this musical is so near and dear to my heart is for the following reasons. I’ve always been drawn to “cats” of all kinds since I was a young boy. There is some kind of connection between myself and the king of the beasts. Whether it be Lions or Tigers, both I find to be the most beautiful animals in the world. So, obviously when this film and then musical came about I was instantly on board. Not only did The Lion King have my favorite animal front and center, but the story line was one I could relate to as well. Simba losses his father and struggles with his place in society and coming to terms with what is truly the right path for him to choice in life. I too have lost my father and have done my fair share of running away from my problems, or thinking I was doing so. Throughout my trials I’ve always felt the presence of my father looking out for me and guiding me along the way.

As in all great musicals, the music tells a lot of the story and once again The Lion King provides some of the best music and lyrics. The music was written by Elton John, whom I have been a huge fan of since I was a child. Another reason I loved The Lion King. Of course, the stand out song is “Can You Feel the Love Tonight”. The Lion King is definitely a must see. What’s better than a production that gives us Hakuna Matata? It means no worries for the rest of your days. What a wonderful thought.

American Idiot

American Idiot is the story of three young men, their friendship and the paths they each choose while trying to find themselves. All three, Johnny, Will and Tunny plan on leaving the small town they are from and hitting the big city to pursue the life they dream of, whatever that may be. Will ends up having to stay in town as he is taking on the responsibility of getting his girlfriend pregnant. Tunny joins the military and Johnny heads to the city on his own. All three experience eye opening life changing events.

The two characters I related to most were Will and Johnny. I also have gone through the struggles that come with having a child at a young age and not being fully prepared for the responsibilities that come with this full time job. Will felt trapped and angry that he wasn’t able to leave town with his friends and experience a new life. Living with regret and resentment never ends well. Johnny on the other hand is pushed into a brand new world of too much freedom and decadence. He eventually finds himself a prisoner to addiction and all it involves. He hooks up with a girl and they use each other as a crutch for continuing down a path of destruction. This too is something I’ve experienced in my life and as Johnny did in American Idiot, one must decide when enough is enough and commit to a better way of life.

Again, the music plays the most important part of the show. The songs which I truly love in American Idiot are “When It’s Time”, “21 Guns” and “Wake Me up When September Ends”. The lyrics in “when It’s Time” go straight to my heart every time. Some of them go as follows:

“I feel lonely for
All the losers that will never take the time to say
What was really on their mind instead they just hide away%u2026We are all born in a world of doubt
And there’s no doubt
I figured out
I love you”.

Priscilla: Queen of the Desert

Priscilla: Queen of the Desert was my first official Broadway Musical. I went to New York City last May and appropriately went to see one of the gayest musicals out there today. Being gay myself, I loved every second of it. It was gay heaven! This musical is a celebration from start to finish, full of musical renditions of many dance classics from the 70’s, 80’s and 90’s. The icing on the cake for me was that they sing a couple songs from Madonna, and anyone who knows me knows I’m a bit obsessed with Madonna. It’s a healthy obsession. Priscilla is about three guys in Australia who take an adventure on a bus they nickname “Priscilla”. This musical is based on the movie “The Adventures of Priscilla, Queen of the Desert”.

The character I relate to most in the show would have to be Tick. He is taking the bus trip as a favor to his ex-wife who needs an act for her business, located in a distant city in Australia. Tick is a drag queen and asks a couple of his friends to join him for the trip. Tick is a bit apprehensive about arriving at the gig, due to him having a Son with his ex and his Son doesn’t know of him or that he’s gay. Nor does he know he’s a drag queen on top of it all. Although, I am and have never been a drag queen, I do have children. As a gay man you often have reservation on how your children feel about you being gay. Also, I do know what it is like to have a child not in your life as well. Yes, I know I said this show was a celebration and it is. It just has some touching moments as well, such as in life-right?

If you are looking for a fun night out with good laughs, great visuals and loads of music that everyone can sing along, then Priscilla definitely is the show for you. I don’t know anyone that could leave the theatre after seeing this show and not have a smile on their face. This is one of those musicals that I will be planning on going to see as many times as I am able. As all the other wonderful musicals on my list, this one is imprinted within my mind and I look forward to more years of reconnecting with Priscilla over and over.

Go Green Onstage

Go Green Onstage

How to Produce Environmentally Sustainable Theater

There’s a lot of waste in the theater. That’s hard to believe (with our budgets!), but it’s true.

An awful lot of every set ends up in the trash, a lot of electricity goes into lighting a show and into cooling an auditorium, and those are just the OBVIOUS problems.

Honestly – beyond usual thriftiness – I hadn’t thought too much about the unique problems of creating sustainable theater until I attended a recent scenic design seminar in New York City. There are so many theaters there that they are already developing a healthy “green” scene: Broadway Green Alliance is getting out the word to groups like mine and to the theaters of Broadway and off-Broadway. (Or, in my case, to off-off-really-an-air-trip-far-off-Broadway.)

It got me thinking.

So as a theater designer I’m cleaning up my act (bad pun). I’m also passing the word on with this Lens on greenifying the stage. You too (imagine Uncle Sam pointing his finger at you) can help make stage productions “greener.” Help save the planet!

And probably save your theater some cash too.

Here’s how…

Advice to Theater Producers and Venue Managers

There are many ways to make your theater “greener” and more energy efficient – most of which will also save you money in operations. (Virtue is rewarded!) One of the first steps is to create a team to study how to go greener.

1. RECYCLE: It’s becoming standard practice to reuse and recycle paper programs. Maybe there’s some way to avoid them entirely? (I know one theater that scrolled the credits on a monitor in the lobby… and this video aproach complimented the show too.) Use a thinner ticket stock – or go “ticketless”. Lots of savings in paper there!

Likewise you can choose paper towels for the restroom that have a high recycled material content (just as with any other paper product).

Look into all the common forms of “greenifying” a business: recycle paper and other trash, use recycled paper for business purposes; reduce energy usage. Set out recycling bins for your audience so you can keep those refreshment containers out of the landfill. Look carefully at what disposable glasses etc. you use for event catering. Bottled water, for instance, is an infamous waste of materials and energy: how about pouring good ol’ fashioned glasses of (filtered) water instead?

2. MAINTAIN A GREEN BUILDING: by… maintaining it!

Clean air filters and well-cared-for heating and air conditioning equipment make a big difference to the system’s efficiency. Good weatherstripping at windows and doors, working automatic door closers on vestibules, and USING those vestibules… these are all little air leaks that add up fast. And adjust thermostats sensibly. (One theater I know has to hand out blankets to its patrons.)

Make sure that water leaks are caught early and fixed. Watch your water use for irrigation too.

Wherever possible change out incandescent lamps for more energy efficient fluorescent or, better still, LED lamps. Put house lights on dimmers and consider motion detector switches for areas that are often empty… yet where someone often forgets to turn off the light.

Use environmentally sustainable cleaning products.
3. REPLACE GREENER: Routinely replace incandescent light bulbs with LEDs. Repaint next time using low-VOC (less off-gassing, less-smelly) paints. Choose water-saving toilets and lavatories as replacements.

And when you up-grade your air conditioning and heating – or your water heaters or dishwashers – choose energy efficient equipment.
4. REMODEL OR BUILD NEW, GOING GREENER: If you plan exterior work to an existing building, consider adding extra insulation and a better grade of doors and windows to conserve more energy. Think about issues of solar heat gain and shading. Would shady porches, awnings, or well-located trees help your air conditioning bills? Can you make your roof or building a lighter color, to reduce solar gain?

Whatever your plans for construction, consider using greener, sustainable materials, less toxic materials and methods, and sourcing them locally.

If you’re planning new construction, discuss sustainability with your architect. At the very least, you’ll want to increase insulation!

Look into the various established sustainable building programs like the US Green Building Council, LEED, and Energy Star. These organizations can give you a great deal of information. Even if you don’t follow all their recommendations, you can get ideas to help “greenify” your facility, some as simple as adding a bike rack. As you plan your new building, just being mindful of which way the glass faces can make a big difference.
5. LANDSCAPE GREENLY: Use landscaping to replace some hard-surfaces outdoors. (We all like oxygen, right?) Can you make some of your paving permeable to rainwater? Or to collect rainwater for irrigation?

Then take care of your plants using sustainable care practices. Choose native plant species that are naturally more pest resistant and need less supplemental water, species chosen to fit your particular conditions. Make sure your sprinklers work properly. Mulching mowers, non-oil-based fertilizers, avoiding pesticides and herbicides… all good citizen ideas! And add that bike rack, huh?

This is a developing conversation and today there aren’t many books on the topic. This one looks pretty comprehensive and thorough (if a bit pricey) and would probably save you its cover price in… less than a month.

Links to Green Info

There are some great ideas out there – take a look!

The Broadway Green Alliance
More ideas and suggestions for going green onstage.

Ecotheater “How to Go Green”
Excellent discussion of green theater issues, including construction and the LEED building and Energy Star energy programs. Also a serious look at the energy use of the show itself and all the issues of waste and toxic materials in sets, costumes, and props. A MUST READ.

The Green Theater
50 things to do to go greener.

Berkeley Rep – “Going Green”
Some good suggestions here.

Minnesota Theater Alliance
2012 the first theater sustainability conference.

Advice to Theater Designers

There are two ways (well, two and a half) that you, as a designer, can help make theater more environmentally sustainable. The first is to clean up your own act, to run a greener design studio and practice. The second is to design in a more environmentally conscious way – to make greener choices. The “half”? Help the people who work with you – the scenic carpenters, painters, costumers, lighting crew, and workshops – make greener choices too.

GREENER PAPERWORK: Use recycled paper, print on both sides, and use inks that come with less packing materials. Will soy-based ink work for you? When possible, try to view drawings, scripts, and other information on a screen – and not print it. When you do use paper, recycle it and recycle plastic and metal trash as well.
RUN A GREENER STUDIO: Always consider the amount of packaging involved before you buy office, kitchen, and art supplies. Think through your own packaging and shipping practices too.

Conserve water and avoid those wasteful little disposable bottles of water! All those snacks and lunches involve packing and shipping too: try to reduce both with your choices.

Of course, you’ll want to light your studio as much as possible with daylight – it’s the best colored light anyway and free too! (There’s a reason painters love north-facing garret windows.) Supplement daylight with lamps using LEDs (best energy savings) or fluorescent (next best), instead of incandescent lamps that waste so much energy as heat. This will help keep your air conditioning bills down too. While you’re at it, keep your thermostat setting at something sensible – not too hot or cold. Try wearing a sweater or using a fan.

Oh, and by the way, you DO know it’s unsafe to eat or drink in studio with all those toxic art supplies, right?
GREENER (or less toxic) ART MATERIALS: Try to use recycled or upcycled papers and cardboards etc. whenever possible and choose sustainable materials whenever you can. Reduce waste. And cut waaay back on chemicals – both in your design work and in your housekeeping. Paints and adhesives can be very toxic. In studio “housework” use “green” cleaners and avoid insect sprays etc. Dispose of paints and other chemicals safely. (And remember to protect yourself from toxins too, some of this stuff is very dangerous.) Be sure to have proper ventilation and, when needed, use respirators.

Links to Info on Material Toxicity

Arts and Media – “Toxic Art Materials”
What every artist should know.
The Healthy Artist Guide
With a handy spreadsheet of specific art materials and safer alternatives.
Daniel Smith “Using Art Materials Safely”
Useful advice – especially for children and art.

For Lighting Designers…

And Sound Designers (and their crews)
Obviously your share in the show is THE major energy user. Any reductions you can make in what power is required will be multiplied by X number of shows a week! So lamp and equipment choices and energy-saving procedures are important.

DESIGN GREEN: Think about energy usage as you design show lighting. LEDs are MUCH more energy efficient than incandescent light sources. Also cooler – which impacts air conditioning requirements for the venue. (Actors will be cooler too!) And just, you know, using fewer lights or reducing light intensity would help. (Less so with dimming as lights get inefficient.) But lower volume sound means lower energy use. Advocate for replacing incandescent lighting instruments with LEDs. Design requirements and stage lighting equipment are the biggest areas for potential energy savings.
CLEAN FOR GREEN: Keep dimmers, lighting instruments, and all control gear clean and dusted so they run most efficiently
RUN GREEN: Shut down dimming gear at the source after rehearsals and performances. Likewise, power-down LED power supplies and moving heads if it will be an hour before using them again.
RECYCLE: If you can, use BGA’s Gel Project to donate and reuse lighting gels. Otherwise… ask around, many theaters share and someone in your area may be thankful for that slightly-wrong-color-gel that got ordered. Avoid waste, of course, when cutting gel.

For Costume, Hair, Wig, and Makeup Designers…

(And crews, of course)
Costume designers and others who work with what I’ll call “soft goods” face some of the same issues as set and lighting folks… running a green studio and choosing greener materials and methods in designing and constructing their part of the show.

GREEN STUDIO / GREEN DESIGN: Try to minimize energy usage and maximize recycling in your day-to-day work. Your design choices can minimize fabric waste and call for less toxic methods – especially when dyeing – and can require more sustainable materials. Consider greener fibers and manufacturing processes (and consider the sweatshop issue too!). Shop local, to minimize shipping.
RECYCLE: Shop used and thrift stores. And, when the show closes, pass on your costumes to other theaters or back to thrift stores. Unused fabrics or trim etc. can help a poorer theater.
GREENER CHEMICALS: If nothing else, just creating costumes than can be water-washed rather ones that require dry cleaning will make your show instantly more sustainable. A lot of nasty chemicals in dry cleaning!

Limit use of dyes, bleaches, and other chemicals used on fabric, hair, wigs, and makeup. Use pump hairsprays.

For Prop Designers…

You work with EVERYTHING – every kind (and toxicity) of material and process. For your own safety, you really need to understand the dangers and try to minimize them. As a bonus, you get to help save the planet.

Read the sections for the other designers and the scene shop too.

CHOOSE GREENER: materials, adhesives, and paints etc. Go for the sustainable, the recycled, and the low or nontoxic as much as possible. You already know all about thrift store shopping!
USE GREENER: Be careful to follow safety guidelines when using toxic materials and make sure you have great ventilation.

Specifically for Set Designers…

There are many ways you can influence your show to make it more sustainable. in fact, YOU SHOULD, because the set is one of the biggest users of material and energy onstage.

Here are a few suggestions.

1. THAT GREENER STUDIO? Drawings are a great place to recycle and to choose more sustainable materials. Try using recycled paper, print on both sides, and use inks that come with less packing materials. Whenever possible, try to view drawings and other information on a screen – and not print it at all.

When building models, try up-cycling packing cardboard, choosing cardboard instead of foam-core board or choosing pulp-board instead of illustration board. And use plain ol’ white glue instead of other chemical compounds when possible. Recycle your used paper and cardboard – even old models!
2. DESIGN GREEN: when you can, plan your scenic design to use recycled and upcycled materials. Always design around material sizes (like 4′ x 8′ plywood) so there’s less cutting and waste. Check if there’s something in the theater’s stock that will work before building new. Stock flats and platforms are a great form of recycling!

Research building materials – what’s your greenest choice? Now, this can get complicated: many conflicting factors come into “greenness”, like shipping distance versus sustainable sourcing, or low emissions or toxicity versus maybe… your budget. When using fabrics, use the same care and consideration as “green” costume designers would.
3. BUY GREEN: Check thrift stores and places like Craig’s List for what you need.

If you happen to be in the NYC area, the Broadway Green Alliance suggest shopping at Build-It-Green, Film Biz Recycling, or Materials-For-The Arts. Around my own Dallas-Fort Worth area and I’m sure others, Habitat for Humanity Restores sell “excess” building products. Look at building salvage places, of course. And nothing’s greener than rescuing something left out for the trash! (Assuming that’s legal by you.)
4. BUILD GREEN: More on this in that (up-coming) section on Building, but as a designer plan to use existing or stock pieces as much as possible and consider using recycled and upcycled material. Try not to require particularly toxic materials and procedures. Aniline dyes, for instance, are seldom used now because of their toxicity compared to other paints and stains, whereas white glue is an ecofriendly adhesive compared to its rivals.

As a designer you have a lot of influence over the materials required by your design… and maybe a little persuasion about methods and materials in the building of it too. I suggest encouraging sustainable paints and building methods.
5.  GREEN-CYCLE OLD SETS: Don’t just trash it! Give your set away. Or give its broken-down materials away as salvage. Poorer theaters would be glad of a lot of your stuff. Recycle what can be recycled. And plan to save things from this set for the next one.

Advice for Scene Shops

There are many ways to cut waste and to promote recycling in building sets. Talk about the issue with the set designer and see where – together – you can make minor changes to make major savings.

Beyond cost savings, THE great advantage to greener shop practices will be a safer, less toxic environment for theater carpenters and painters. Forget the Earth a minute… why pollute your body?

CUT WASTE: Plan material cuts to waste as little as possible. Likewise, that off-cut of lumber in the trash might be perfect for this short little use over here. This sort of thrift comes naturally in a well-run shop, so Congrats! You’re already pretty green.

When buying construction materials, where possible opt for those that contain post-consumer waste, that are themselves recycled. And (as much as you can) try to avoid nasty stuff like formaldehyde and the chemicals used to pressure treat lumber for outdoor use.
REUSE AND RECYCLE: Recycle materials from previous sets and build for this set in ways that can be used for the next. Nothing is greener (or more thrifty) than using a stock flat. Or, if you can’t use it again yourself, some other theater can. Let the community know when you have excess or salvaged material – they’ll often take it off your hands. Recycle as much as possible.

Whenever possible consider used and up-cycled materials and salvaged doors and windows etc. Shop salvage yards and places like the Habitat for Humanity Restores for not-quite-new materials.
USE GREEN MATERIALS: Do research on what your material choices are. This can get complicated and involve a lot of trade-offs, but the ideal would be a renewable, sustainable material that’s sourced locally. The sad truth is that often the cheapest stuff, like that thin plywood that fits your budget, for instance (lauan, cough), is deeply unsustainable (pure rolled-up-rainforest), and involves a lot of shipping. (The rainforest is a long way away after all.) And foams are BIG petrochemical-use products. Avoid them as much as you can.

Try streeeetching a material’s life. Can that carved “brick” foam be flipped over and reused, its back becoming carved “stone” for the next set? Two uses equals buying half as much foam. (The answer? Yes! I successfully reused foam brick from In the Next Room: the Vibrator Play as stone for The Beauty Queen of Leenane. it was kinda fun.)
CUT BACK ON CHEMICALS: Find the least toxic option. Good ol’ white glue, for instance, is more environmentally viable than most other adhesives. Try to minimize toxic and hazardous construction methods too. (For Pete’s sake stop melting plastics!) And when hazardous chemical fumes are unavoidable remember proper ventilation and respirators!

Be particularly careful with paints, dyes, and stains. Consider paints carefully. There are low emission, low VOC paints available – can you use them? And when disposing of old paints, it’s best to let them harden in their can into something inert rather than to throw them away wet and disperse-the-toxins-ish. (Not down the drain! Horrors!)

Links to Greener Building

What are the greenest choices when building that set?

Whole Building Design Guide “Use Greener Materials”
Recommendations for choosing materials.
EPA “Smart Building Material Choices”
The EPA… they oughta have a clue. (And also a warning about “greenwashing”.)
Rainforest Relief “Safe Sets”
Avoiding lauan in film and theater sets. Why and How.

Related Lenses

A few other places to check for information on saving resources or theater design. (Or both at the same time.)

Thrilled to Go Purple!

I’m thrilled to announce that this Lens has been honored with a Purple Star Award for good-itude… Thank you, Squidoo, so much!

I’m all the more excited because this kind recognition means more people will read this Lens.

Making theater as good for the planet as it is for people is a worthy goal – and one desperately needed. There really IS a lot of waste right now: I know of one absolutely beautiful theater set for A Christmas Carol that was simply tossed. This was a set that any pro or amateur theater or any church group would have jumped to own. Shoot! even the local mall would have grabbed it for a Santa’s Village. Thousands of hours of skilled labor and tens of thousands of dollars of material… into the dumpster.

Of course there is a funnier side to this sort of criminal waste: years ago, when another theater threw away tons of sand (because no kids’ playground might want it?), when the garbage truck came to empty the dumpster – it was the TRUCK not the dumpster that was lifted off the ground!

Ha! A joke we don’t want repeated, eh? Recycle.

Go Green!