How to Get Practical Craft Experience

Turning hobbies into full time jobs is the dream of many casual crafters. It takes time, creativity and persistence. Another key element is experience. Rudimentary knowledge of your art / craft isn’t good enough if you’re selling goods to paying customers.

You need to have the knowledge to put out a quality product at a price that your customer will pay while still making enough money to cover both your business and personal expenses. Just starting out and not sure how to get that knowledge? Here are my suggestions for getting good, practical experience in running a craft business.

Working for Another Craft Business

Years ago when I first started giving seminars on starting a new business, getting good practical experience working for another similar type business was my number one suggestion. It still is. This is the best and most ideal of situations.

Working for another crafter not only teaches you the specific skill, it exposes you to the complete picture of the business aspects of selling crafts. Definitely, having prior experience working for a business in the same craft discipline to the one you want to start will be one of your major keys to success.

However, I know that for many, unless you are a student looking for an internship, this isn’t an option. You’re working 40 hours plus at your day job and the last thing you want to do is get a part-time job working for someone else in your craft field. Honestly, fast forwarding to today, it would be a difficult option for me to achieve too. So, what to do if putting in hours working for another arts / crafts designer just can’t be done?

Practice, Practice, Practice

It’s trite but practice is a very necessary part of gaining design and fabrication experience. Do you ever watch Project Runway? What always happens at the start of each show? These are trained designers with years of experience in the field, yet after they are given an assignment, they don’t just get out a pair of shears and start hacking up fabric.

They think about their particular design, sketch it out, carefully consider the right fabric and use muslin to make patterns prior to cutting the actual garment fabric. Sometimes they have to halt operations mid-stream when they see their design just isn’t going to pan out. As an inexperienced crafter, these are the basic steps you should follow – sometimes over and over and over again until a design or technique is totally worked out.

Until you’ve had a lot of practice, it’s really hard to have a 100% grasp on whether the materials you want to use are adaptable to your design. Also, it can take numerous prototypes to breakdown design elements into logical construction steps. Remember, developing well-honed techniques from hours of experimentation is necessary prior to announcing yourself to the world as a serious craft businessperson.

Yikes, all that material – it can be expensive – that’s why the clothing designers use muslin first. If possible, use the equivalent of muslin for your design prototypes.

Take Craft Business Courses or Seminars Tailored to Your Field

While this is a necessary part of running a business for experienced craft business owners, it’s exponentially important for the inexperienced. You should already have subscribed to and be reading trade publications. There are numerous craft seminars given convention style each year, hi-lighted in these publications, providing great information on many different craft related business topics.

Usually spanning two to three days, a variety of topics are normally covered and you’ll be able to pick and choose between the seminars you want to attend. If the seminars aren’t within driving distance, you’ll have the additional burden of airfare and lodging. However, lacking the time to get on-the-job practical experience, this is the next best thing.

Joining Craft Professional Trade Associations

What happens when you go out to lunch with people you work with? Don’t you invariable end up talking about your jobs – maybe getting the inside scoop on pending events? Well, that’s exactly the sort of interaction you’ll get when you join a local trade association. Attending these meetings is a great way to get experience vicariously as you find out about new tools, techniques, suppliers and legalities specific to your craft.

Getting experience working in the field is invaluable. You’ll have the priceless opportunity to see how an established business maneuvers around problems beyond their control and deals with supply, labor and customer issues. Lacking that opportunity, put aside time to practice your craft. Pair this with keeping on top of developing issues in your business by joining trade organizations and attending craft related seminars.

Using Polymer Clay to Create a Fairy Figure

Using Polymer Clay to Create a Fairy Figure

You must be familiar with Peter Pan’s story. Maybe some of you have watched it with your child or told bedtime stories about the fairy story. Now you can bring your story to life again if you can make your own doll from a fairy, why not?

The Basic Needed

Courtesy : www.facebook.com/RealmofFroud

Creating a Fairy Figure with Wendy Froud certainly gives the viewer all the basics needed to work in this arts and crafts medium while providing instructions on what I consider to be a more advanced polymer clay topics. Like everything else in life, it’s a matter of practice and having a routine. Unexperienced in working with polymer clay, I paused the video many times to follow along. Anyone with experience working with polymer clay would be able to follow along in a more spontaneous, fluid manner.

Pros

Clear, easy-to-follow instructions

Written for the beginner, but also good for polymer clay artists not experienced in model-making

Excellent visual effects

Cons

Digital download process was time-consuming

Description

Courtesy : i.ytimg.co

Making an Armature – complete instruction on forming the skeletal framework for the figure using wire.

Sculpting the Figure – learn how to make all the separate body parts such as the head, torso and hands.

Fabricating the Body – after the pieces are finished and baked, you learn how to put the pieces together to form the figure.

Costuming the Figure – discusses selection of fabrics and coordinating hair.

Applying Hair – learn how to attach wool and other materials to the figure for a realistic head of hair.

Making Wings – crucial for a faery figure, not a necessity if only interested in making doll-like figures with polymer clay.

Finishing the Figure – completing all the minute details to wrap up the project.

Guide Review – Using Polymer Clay to Create a Fairy Figure

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Creating a Fairy Figure with Wendy Froud

I’m somewhat familiar with polymer clay as I interviewed a few jewelry artists who make their own beads from polymer clay while writing one of my books. The bit of knowledge that I retained the most was the fact that polymer clay is hardened by baking in the oven, instead of using a kiln, which seemed to me to be pretty handy as it eliminated the need for yet another piece of craft-making gear (although all serious artists use a separate oven since there are safety concerns with keeping food and clay separate).

However, I’ve never used polymer clay myself so I figured a good litmus test for a video is if a crafter who is handy in other crafts can follow along with instructions for another somewhat related type of craft. In this case, I’ve worked in paper mache in the past, which uses armature and paper constructing technique.

While my faery was far from perfection, this video really delivers on the instructional aspect. An artist or crafter with the right tools and patience will get all the knowledge they need to work in this medium from this video – regardless if they are interested in fantasy figures.

You can read artist Wendy Froud’s bio on the Gnomo Workshop website. Pretty impressive, she worked on both The Muppet Show and The Empire Strikes Back. The two-DVD set is 240 minutes in total and is also available via digital download.

The Gnomon School website show an approximately two minute sample clip showing the artist fabricating the model’s eyes. This clip is representative of the quality and type of instruction running through the entire 240 minutes.

When need be the filming of the dvd is close up on the artist’s hands. Ms. Froud moves very slowly, explaining each step as she goes giving alternatives on how to perform some of the tasks. For example, while constructing the hands of the faery she advises that she prefers to not wire the hands since she likes to really manipulate the digits after she attaches them to the main base of the palm of the hand.

Polymer clay is very easy to manipulate and forgiving. The artist many times removed and added clay while constructing the model. Using the special polymer clay tools, it’s easy to add clay to the basic shapes to add features, fingers and the body.

At the time of this review, the polymer clay lesson cost $49 (plus shipping if not going the digital download route – downloading will save you the shipping cost of $10 to $15 for most items.) Considering the length of the dvd and the soup to nuts presentation of the topic, a very good value.